today i am here
c'mon over. :)

There was also Mole Road
We passed small towns 
i come home and here i stand, on this piece of pavement, not even a porch, not even level, it slopes downward, and i stand under the porchlight and my mind is full of too much, it is never empty when i stand here, i am always hurried and feeling late, just beginning to be more comfortable with the knowledge that late is what i want it to be, i no longer need to be home at a certain time, freedom's just another word for nothing left to lose and all that, and i am even thinking that as i hurry to get the key in the lock and the groceries in the door. i am thinking i am just not hungry anymore, but i need to eat and oh, the deciding what to eat when you're never hungry, when the only thing that sounds good is a dark chocolate peanut butter cup, of which i keep none in the house because i eat them all up when i buy them, and so supper is a chicken sandwich, and not the real chicken, the fake stuff, the cold-cuts chicken that i don't even want to think too much about; i once knew someone who worked in a processing plant for chickens and lunch meats and well, her stories were not pleasant. i make the sandwich anyway and find that the tomato has frozen, so use a couple of pickles instead and not even a plate, just paper towels, and a styrofoam cup for my coke, and i think this isn't the way you should treat yourself, you should use real dishes, but the ice stays icy in a styrofoam cup and the sink is already full of dirty dishes, and later, for dessert, i even use a plastic bowl and spoon for cereal with strawberries. it should be better, it should be different, i tell myself, you should be nicer to yourself, all the magazines say so, you should have a real meal, you should set the table, light a candle, but this is the real world out here, and it is 8 o'clock when i get home and though i am not tired, i am dragging, feeling the loneliness beginning to fill my chest, and not just loneliness for maggie, but also loneliness for the upcoming weekend, time off from work at last, the ever-wonderful michael gone somewhere else, somewhere i would be unhappy, and i can think of nothing i want to do except get in the jeep and drive and see where i end up and hope there is room at the inn when i get there. but there is lily cat to be fed and that limits time and i use that for my excuse, she is good for 2 or 3 days by herself, but then she will need me, no one else is there. i read a blog or two, i feel so behind, and i check in on facebook, and i return emails and it is 10 o'clock and my hair needs washed and i can tell i will be awake late. there used to be some joy here, i think, but it seems so long ago. my copy of little women is in 3 pieces, i have had it since i was a child, and i just put it aside, i lay it on the floor and walk away.
oh, you thought all the maggie stuff was over, i know, but i am unravelling again, and in the course of thinking about the first assignment, i began to wonder how to photograph emptiness, which is not the assignment but that's what happens when you begin to unravel and you have a lot of knots to untie and a lot of loose ends, you just never know which one you're gonna follow right now, and so anyway i was thinking about emptiness. still. i know, i know, i just thought if i could put it in pictures as well as words it would help because it still feels wrong when i come home and it's just me, and the house just isn't the same, but here i am and i don't even feel like the same person anymore, and something must be done, mustn't it? and so i began to look through old images, so many of maggie, so many, but at the same time i was looking for images for other stuff and came upon the above very underexposed picture, just a blob of black & shades of barely gray & my feet on the computer screen, but that reflection in the upper left hand corner stopped me. it looked like a cat's eyes; if you squint your own eyes really really hard and imagine the whole thing darker and ignore the 3rd little reflection, you can kind of see what I saw. and so, i lightened it. a lot. a lot. and there was maggie's tail and she was walking away.
It is late, almost 11, I am listening to the dryer, waiting on warm blankets, then a shower to wash away this long day. Hot water. Warm blankets. Clean sheets. Clean body. Pink carnations by the bed, a book almost finished and waiting for me.
the catawba tree has bloomed and the blossoms are once again in the street, in the yards, on our cars, in our hair if we are lucky enough. it is a truth of spring, the blooming of this tree, pay attention it says, time is moving by, and i do, i do, i know where i am and when i am and i know this too shall pass, but now it is here, it has arrived, the falling of these flowers. i will mark it on my map. on this map i will also mark the falling of my tears; when you are in your fifties, crying lines stay on your face longer and on your heart longer, and those lines begin another map, or at least new roads on that map, or the ends of roads perhaps, but you are a map nonetheless, a living breathing constantly evolving (thank you Caroline) map. you are full of rivers and dangerous rapids and storm clouds, you are an aerial map, a map of the stars, a map of the earth and the oceans. you are a map that glows in the dark when all is black around you, and you are a map with a built in compass. mine is pointed true north, a tricky bit of business, true north not being constant, true north itself changing all the time; it requires continuous adjustments, sometimes it requires just following your heart, trusting it knows the way. it requires making notes of the small things - i am reminded of st. exupery in wind sand & stars:
these treetops looked like lace against the sky; i was pulling out of the drive at work last week and the sun was beginning to fall away from the clouds and i just pointed my camera and shot. and there you go, that's how things are done, the very best things, you don't think too hard, you just go with your heart, and yes, yes, i know it's not art, it's not this and it's not that, but there is just all that empty-but-full sky which is how i feel lately, and later i realized it reminded me of a skirt i own and love, and well, it just works for me, and so there you go. it's not a shot that was there today, today was full of sunshine all the way to dark, and when i pulled out of the very same drive at an even later time, my sunglasses were just not enough and i had to shade my eyes with my hand to even partly see the street. and that means summer is coming. that and the 90 degrees we've had for a couple of days in a row, which i admit makes me pretty happy, it's felt for so long like warm weather would never get here. it will be cooler tomorrow and will feel more springlike, but in truth and though there are several weeks left, i feel as if i've missed spring somehow, feel as if may is signaling summer early.
everywhere she walked, and places right there on the edge where she could lay down in their midst and still see all the way to home, to where she used to be; she could lay there and keep an eye on things and work on her message-sending skills, they weren't something one learned overnight. she wished she could send a dream to say she was okay, in fact more than okay, and she could see that calendar with her name on it in red ink - it was in the may 4 square and it said maggie/18, and she knew what a heartbreak that was causing, that unmet 18th birthday, and she remembered the day it was written, the prayers and hopes behind that writing, and she remembered how hard they'd fought for it, fought together, but the time had come, it had come, and she'd laid in the flowers down there and awakened in the flowers up here. she would tell her it was better here if she could, she would tell her she wished she could lay in her lap tonight - she could see the rain fall and could see her house and could see her sitting there as always with the tv on and the sound off, could see gene kelly dancing across the screen, and she knew how much she was missed, knew how much it would mean if she could just one more time, especially this rainy birthday eve, lay in her lap and grow warm against her and purr them both to sleep for a while.
we rode the backroads, the oil tops, the paved roads, drove past cows in the forests of east texas, and when once we stopped to take pictures on a deserted road overhung with trees, i smelled a sweetness in the air and turned to find wild honeysuckle nestled amongst the undergrowth. we drove from small country farms to spacious ranchland, the roadsides filled with wildflowers and sunshine and the quiet of sunday afternoon. she bought raw milk and free range eggs and cream peas and i walked to the fence line, land stretching away, away, away, bluest of skies overhead, green as far as i could see, soft rolling hills, yellow stripes of flowers and i breathed. deep. i took pictures of it all and the cow & calf above, and we stopped at an old cemetery on the way back; she climbed the fence to read the tombstones to me. born september 1880, died october 1881. old tombstones of babies and young men, civil war soldiers who survived the war but not the peace, confederate flags marking their graves. the wind was in our hair, the sun was on our skin, and we followed unknown roads to more old cemeteries, roads that looped in circles back onto the main road, which was not a main road at all, but it was our main road and we followed it home.
that's maggie looking away, lily looking toward me.